Somebody Somewhere may introduce Everett to a much larger audience, but that audience will meet a very different side of the performer who storms onstage swigging from a bottle of wine in a paper bag.Īnd yet the show, created by High Maintenance writers Hannah Bos and Paul Thureen and produced by the Duplass brothers, is very much an extension of Everett. On the surface, it’s an imperfect star vehicle for the diva at its center. Where Everett is “larger than life,” the headline of a recent New Yorker profile, Somebody Somewhere is small and subdued where Everett is a New Yorker through and through, Somebody Somewhere settles into “the eighth-biggest town in Kansas,” where Everett’s character returns to take care of an ailing family member. With the Beastie Boys’ Adam Horovitz on bass, Everett leads the crowd in an infectiously filthy sing-along: “What I, what I, what I gotta do / What I gotta do to get that dick in my mouth?”Įverett is, in sum, the exact opposite of Somebody Somewhere, the new half-hour HBO series she leads throughout its seven-episode first season. Those outside the tri-state area can see her talents, among other things, on full display in Gynecological Wonder, a special that aired on Comedy Central in 2015. Backed by her band, the Tender Moments, Everett’s stage persona is loud, lewd, and boozy, belting obscene original lyrics to songs with names like “ Titties” and “ Fuck Shit Up.” Before the pandemic, Everett put on regular performances at Joe’s Pub, the more intimate stage of the famed Public Theater. Bridget Everett has built something of a reputation in her years on New York’s alt-cabaret scene.
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